15 March - 23 April 2025
Olivia Asher
REPRISE
REPRISE seeks to repeat, to renew, to resume – connected through the facets of materiality and fragility, an embedded connection to the act of making.
Within uku, there is a connection to whenua. Whether the clay comes portioned in a plastic bag or harvested from the land of my iwi, the connection remains. A lineage stretching vast and ancient. Where does it begin? Where did it start? Years of separation. I know where it ends— it’s a pity I know where it ends.
A web made of kōwhaiwhai, made of uku, made of _______.
A lace of lost love woven together.
A web of ______ laced together.
A connection to ________, a connection to something —
A web laced together, reminiscent, a reminder of my own connection to myself.
A web laced in fragility.
A reminder of my own fragility.
A remnant of my own fragility, evidence of my existence or what came before.
A process of both.
A broken web, pieced together, hoping to make something whole —
Again.
The uku holds the whenua, the whenua holds the uku, like the web holds me, connected to itself, branching into different versions – past and future, people to encounter, love to lose, life to see. Threads shooting off into self-complexities. But I know – it is not self-entrapment. I am not ensnared in my thoughts or desires.
Perhaps this is a reflection —
A reflection of structures morphed into a web made of uku.
A duality. Again, I exist in duality. Perhaps it’s more than two. But it's easy to assume duality because of my two parents, two lineages, two belongings. This web holds a duality of fragility and stability, balanced precariously. Vulnerability rendered in clay — fragile yet enduring. Two that cannot exist without the other.
A single thread affects the whole structure.
It is complex, yet completely simple:
I cannot exist without you.
I cannot exist without two parts.
A duality of soft and hard.
Spinning threads, spinning yarns, spinning tales.
Merging my connection, mending my connection, back again, in reprise.
Recrudesce, 2025
Stoneware, epoxy
520mm x 520mm
$800
Residue, 2025
Clay on board
550mm x 430mm
$700
Olivia Asher (Ngāti Tūwharetoa, b. 1994) is a multidisciplinary artist and writer based in Tāmaki Makaurau. Her work explores identity, vulnerability, and the fragile relationships between the self and others—reflecting both emotional and material fragility. Olivia moves intuitively through her practice, applying this sensitivity across her written and visual work. She engages in a tactile dialogue with her materials—sculpture, painting, printmaking—blurring the boundaries between craft and fine art. Memory lingers in her process, like clay holding an imprint, as she finds poetry in residue, mistakes, and moments of becoming. Olivia graduated with a BFA from Te Waka Tūhura Elam School of Fine Arts and Design in 2023.
@olivia__asher